Portfolio: Danniella Wilde
P O P P Y B R O O C H, 2 0 2 1
Commissioned Piece
Sterling Silver
Hand Fabricated
Photography by Myself
A N E M O N E & C O S M O S, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems.
The centres of each flower I hand carved in wax and then cast into silver.
Photography by George Archer
1 8 C T G O L D & S I L V E R S U N F L O W E R
S T A C K I N G R I N G, 2 0 2 1
Commissioned Piece
18ct Yellow Gold, Sterling Silver & Chemical Oxidisation
Hand Fabricated
Photography by Myself
T W I S T E D I V Y D R O P E A R R I N G S, 2 0 2 0
Sterling Silver
Hand Fabricated
Photography by myself
T W I S T E D I V Y N E C K L A C E, 2 0 2 0
Sterling Silver
Hand Fabricated with 5 articulating sections to mould perfectly to the wearers neckline. This piece contains over 100 solder joints.
Photography by Myself
R E D P O P P Y, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems.
I hand carved the centre of the flower in wax and then cast into silver.
Photography by Beytan Erkman
R E D R O S E, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems
Photography by George Archer
R E D P O P P Y, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems.
I hand carved the centre of the flower in wax and then cast into silver.
Photography by George Archer
B U R N T O R A N G E L I L Y, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems
The centre of the flower I hand carved in wax and then cast into silver
Photography by George Archer
D A F F O D I L, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems.
I hand carved the centre of the flower in wax and then cast into silver.
Photographed by George Archer with real daffodil leaves
T W I S T E D I V Y B A N G L E, 2 0 2 0
Sterling Silver
Hand Fabricated with hidden clasp
Photography by myself
S U N F L O W E R N E C K L A C E, 2 0 2 1
Sterling Silver & Chemical Oxidisation
Hand Fabricated
Photography by myself
T W I S T E D I V Y H O O P E A R R I N G S, 2 0 2 0
Sterling Silver
Hand Fabricated
Photography by myself
S U N F L O W E R S T U D S W I T H R E M O V A B L E
S T E M S, 2 0 2 1
Sterling Silver & Chemical Oxidisation
Hand Fabricated
Photography by myself
P A I R O F A N E M O N E S, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems.
The centres of each flower I hand carved in wax and then cast into silver.
Photography by George Archer
R E D R O S E, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems
Photography by George Archer
R E D R O S E, 2 0 1 9
Sterling Silver & Patination Enhanced with Artist Pigments
Hand Fabricated Petals and Stems
Photography by George Archer
I V Y L E A F S T U D S, 2 0 2 0
Sterling Silver
Hand Fabricated
Photography by myself
C L I M B I N G I V Y S C U L P T U R E, 2 0 2 0
Sterling Silver & Pine Wood
Hand Fabricated using Sterling Silver sheet and wire. I hand pierced all the leaves and shaped using the ‘Chase and Repousse’ technique. All of the silver components were carefully soldered together. I used the ‘Shou Sugi Ban’ technique of burning the surface of the pine wood to achieve the colour and texture.
Photography by Myself
R O S E B U S H I N T E R L O C K I N G R I N G S, 2 0 2 1
Commissioned Piece
Sterling Silver
Hand fabricated from sheet and wire
Photography by myself
S U N F L O W E R B R A C E L E T, 2 0 2 1
Sterling Silver & Chemical Oxidisation
Hand Fabricated
Photography by Myself
O L I V E B R A N C H I N F I N I T Y R I N G, 2 0 2 1
Commissioned Piece
Sterling Silver
Hand Fabricated
Photography by Myself
P O P P Y B R O O C H, 2 0 2 1
Commissioned Piece
Sterling Silver
Hand Fabricated
Photography by Myself
W A L L A R T F O R U T O P I A C L I N I Q U E, 2 0 2 1
Commissioned piece
Brass, Copper (Chemically Oxidised) & Laser-cut Acrylic
I had brass and copper sheet laser cut (due to the size and thickness of the metal). I hammered the brass to achieve the texture before fabricating and attaching hidden stand-off fixing to give the illusion that the piece was floating when mounted to the wall. The copper elements I chemically oxidised to contrast with the brass which I highly polished to finish.
The lettering I had laser cut in acrylic.
Photography by Vicente Marti Rubio